![]() ![]() ![]() ![]() Music semiotic approaches with special relevance for expression include Márta Grabócz, Morphologie des Oeuvres pour Piano de Liszt (Paris: Éditions Kimé, 1996) Eero Tarasti, A Theory of Musical Semiotics (Bloomington: Indiana University Press, 1994) Robinson, Jenefer, Deeper than Reason: Emotion and Its Role in Literature, Music, and Art ( Oxford: Oxford University Press, 2005) Google Scholar. Scruton, Roger, The Aesthetics of Music ( Oxford: Oxford University Press, 1999) Google Scholar and Kivy, Peter, The Corded Shell: Reflections on Musical Expression ( Princeton: Princeton University Press, 1980) Google Scholar ĭavies, Stephen, Musical Meaning and Expression ( Ithaca: Cornell University Press, 1994) Google Scholar 1 A brief sampling of music aestheticians with important ideas about expression would include ![]()
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